Diary of a playwright
Sometimes writing for yourself isn’t enough.
Sometimes writing for the page isn’t enough.
Sometimes in the middle of the night
when the world has gone to sleep
and you’re drinking chamomile tea
beside a fluorescent lamp,
sometimes you get visited by other voices.
Sometimes the voices of these worlds
make contact with you, and bother you, and they sit like birds
on your shoulder until you give them time.
Sometimes if you’re quick, you get a pen and paper,
or you’re in front of your laptop and you transcribe the experience
just in time before they run off.
Sometimes the voices nag you at inconvenient times,
like when you at work or
when you driving.
Sometimes broken voices find their way to you,
and you wonder what they doing here
because the two of you can’t possibly be related.
Sometimes strange voices make their way to you,
and you do resonate, but you feel unqualified
to carry their story to the finish line.
Sometimes you’re ready to tell the story,
and you show up at 8 ‘o clock sharp at your desk,
but then the voices have left to go find A More Suitable Playwright.
Sometimes they stay, and they look you dead in the eye,
other times they just like to be a tease,
and then sometimes you pull your hair out
and wonder about the sense of humour from where these voices come.
And then sometimes, just sometimes, you get it right.
You place the voice in a chair, you close the door
and you tell the voices that they are going to stay with you.
And sometimes they do.
Sometimes they stay with you all the way until the curtain call,
until you’ve found actors to play them,
and costumes to dress them in,
and an audience to watch them.
Sometimes their voices land well with the ones who watch,
and the ones who listen well.
And sometimes, just sometimes,
those ones rise up, they applaud, and the voices
that were once only the voices in your head,
the birds sitting on your shoulder,
has become everyone’s voice.
Tasneem Daniels has a 10-year combined portfolio in media, education, arts and entertainment. Tasneem formed part of the first group of playwrights to take up residence at the Jakes Gerwel Foundation (JGF) Paulet House. Here she wrote Miela’s Box, a show collaboratively produced with the JGF in 2020 that debuted on stage and radio stations nationally. Tasneem’s play lead to a career in TV and radio programming with Suidooster (kykNET), An Nur – The Light (SABC 3), Radio 786 (100.4 FM) and the University of the Western Cape (UWC) in collaboration with Bush Radio (89.5 FM). Miela’s Box made a comeback on internet radio in 2024 with Cape Flats Radio and Radio Eersteriver. Tasneem also writes for LitNet, and she is writing her first musical after completing the How to Make a Musical Masterclass in 2019 with David Kramer at the Baxter Theatre. Her interests include tracing her Cape Malay / Indonesian roots and using her travel pursuits to develop her creative businesses.

3 thoughts on “Sometimes ”
This is just what Cape Town needs. Our Cape Malay heritage is dying out and it really is up to us to keep the flame burning. The poem ‘Sometimes’ reminds me of sitting up at night and spewing out the voices onto paper,so their voices can be heard when the world is asleep. Terimakasie Tasneem for sharing a piece of you with all of us.
wonderful Tasneem….well written
Happy that the poem landed well. Thanks everyone!